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After the Universal Exposition of 1900, various French artists formed a formal collective, La Société des artistes décorateurs. Founders included Hector Guimard, Eugène Grasset, Raoul Lachenal, Paul Follot, Maurice Dufrene and Emile Decour. These artists heavily influenced the principles of Art Deco as a whole. |
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America's first well-known school of painting—the Hudson River School—appeared in 1820. As with music and literature, this development was delayed until artists perceived that the New World offered subjects unique to itself; in this case the westward expansion of settlement brought the transcendent beauty of frontier landscapes to painters' attention. |
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At the start of the twentieth century, artists like Picasso, Matisse and Modigliani became aware of, and inspired by, African art. Africa is home to a great and thriving contemporary art culture. Traditional art describes the most popular and studied forms of African art which are typically found in museum collections. |
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The arts and material culture of the African continent constitute one of the most diverse and innovative artistic legacies on the planet. Though many casual observers tend to generalize "traditional" African art, the continent is actually full of a multitude of peoples, societies, and civilizations, each with a unique visual culture. |
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African art regions encompass many black cultures, and countries. In this article, you will learn about a few of these african art regions. |
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African art has a long and surprisingly controversial history. The origins of African art lie long before recorded history. |
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Abstract art history shows that abstract art designs have existed in Western Culture in many contexts. Non-objective art is not an invention of the twentieth century. In the Jewish and Islamic religion the depiction of human beings was not allowed. Consequently the Islamic and Jewish cultures developed a high standard of decorative arts. Calligraphy is also a form of non-figurative art. However, Abstract art is distinct from pattern-making in design, since it draws on the distinction between decorative art and fine art, in which a painting is an object of thoughtful contemplation in its own right. |
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